BASS, Richard. "Pitch Structure in George Crumb's Makrokosmos Volumes I and II." Ph.D. dissertation. University of Texas at Austin, 1987. [annotation]

BROADWAY, Kenneth Lee. "An analysis and investigation of percussion performance practice in Madrigals, book II by George Crumb." D.M.A. thesis. University of Georgia, 1996.

CHEN, Chin-Chin. "An investigation of night music by Bela Bartok and George Crumb." M.Mus. thesis. University of Illinois at Urbana-Champaign, 1995.

CHUN, Yung Hae. "The Extension of Piano Technique in Compositions by George Crumb for Solo Piano." D.M.A. dissertation. University of Wisconsin - Madison, 1982.

CORDES, Jean Kunselman. "A New American Development in Music: Some Characteristic Features Extending from the Legacy of Charles Ives." Doctoral dissertation. Louisiana State University, 1976.

CUNNINGHAM, Peter. "Structural determinants in George Crumb's Night of the Four Moons and Ancient Voices of Children." M.M. thesis. Ithaca College, Ithaca - New York, 1976.

DeBAISE, Joseph. "George Crumb's Music for a Summer Evening: A Comprehensive Analysis." Ph.D. dissertation. Eastman School of Music, 1982.

DE DOBAY, Thomas Raymond. "Small-Scale Structural Principles in the Chamber Music of George Crumb." Ph.D. dissertation. University of Southern California, 1979.

DE DOBAY, Thomas Raymond. "Harmonic Materials and Usages in the Lorca Cycle of George Crumb." Ph.D. dissertation. University of Southern California, 1982.

DUBAJ, Mariusz. "Makrokosmos." Masters thesis. Akademia Muzyczna, Gdansk - Poland, 1985.

FAULKNER, Susan Green. "An Analysis of George Crumb's Makrokosmos, Volume II and its Relationship to Makrokosmos, Volumes I and III." D.M.A. dissertation. University of Cincinnati, 1980.

FOUSE, Kathryn. "Surrealism in the piano music of representative twentieth-century American composers." D.M.A. thesis. University of North Texas, 1992. [annotation]

FRY, Johnathan. "New Musical Notation: a Bibliography." Ph.D. thesis. Eastman School of Music, 1977.

GOTER, Arlene. "The Treatment of the Piano in and Music for a Summer Evening (Makrokosmos III)." Doctoral dissertation. Indiana University, 1983.

HARREL, Doris. "New Techniques in Twentieth-Century Solo Piano Music: An Expansion of Pianistic Resources from Cowell to the Present." Doctoral dissertation. University of Texas - Austin, 1976.

JIORLE-NAGY, Linda A. "A study of phrase structures and unifying devices in George Crumb's Makrokosmos I and II." D.M.A. thesis. Boston University, 1993. [annotation]

KESSNER, Dolly. "Structural Coherence in Late Twentieth-Century Music: The Linear-Extrapolation Paradigm Applied to Four American Piano Compositions of Diverse Musical Styles (Martinu, Rzewski, Crumb, and Adams)." Unpublished dissertation. University of Southern California, 1992. [annotation]

KINGAN, Michael Gregory. "The influence of Bela Bartok on symmetry and instrumentation in George Crumb's Music for a summer evening." D.M.A. thesis. University of North Texas, 1993.

LACOSTE, Steven Michael. "Text treatment and musical structure in George Crumb's Lux aeterna and Igor Stravinsky's Introitus T.S. Eliot in memoriam." Ph.D. thesis. UCLA, 1996.

LEDBETTER, Robert B. "An examination of the percussion writing in the chamber works of George Crumb, 1960-1980." D.M.A. thesis. University of North Texas, 1993.

LINDEMAN, Timothy H. "A Comparison of George Crumb's Night Music I and Ancient Voices of Children." Ph.D. dissertation. Indiana University, 1978. [annotation]

MacBETH, Peter Cunningham. "Structural determinants in George Crumb's Night of the Four Moons and Ancient Voices of Children." M.M. thesis. Ithaca College, 1976.

MacLEAN, Suzanne. "A Study of Constructional Principles in George Crumb's Makrokosmos, Volume I." Masters thesis. American University, 1974.

MATTHEWS, Neil Wright. "George Crumb's Makrokosmos, Volumes I and II: Considerations for Performance, Including Observations by David Burge, Robert Miller, and Lambert Orkis." D.M.A. dissertation. University of Oklahoma, 1981.

McCARTHY, Mairéad Rita. "Symbols and Creative Transformation in George Crumb's Black Angels - an Interdisciplinary Exploration." Masters thesis. University of Western Australia, 1983.

McGEE, William James. "Textural and Timbre as Formal Determinants in Selected Music of George Crumb." Master's Thesis, University of Arizona, 1979.

McGEE, William James. "An Expanded Concept of Timbre and its Structural Significance with a timbral Analysis of George Crumb's Night of the Four Moons." Ph.D. dissertation. University of Arizona, 1982.

McKAY, John Robert. "Notational Practices in Selected Piano Works of the Twentieth Century." Doctoral dissertation. Ball State University, 1976.

MITCHELL, Darleen Louise. "Octatonicism in the music of George Crumb: an analysis of A Haunted landscape." Ph.D. thesis. University of Chicago, 1997.

MOORE, Linda Grace. "Contemporary Cello Techniques from the Twentieth-Century Repertory." Doctoral dissertation. Ball State University, 1976.

PIENAAR, E.A. "Number symbolism in Music: George Crumb's Makrokosmos I and the Music of the Spheres." M.Mus. dissertation. University of Cape Town, 1997.

OTT, David L. "The Role of Texture and Timbre in the Music of George Crumb." Doctoral dissertation. University of Kentucky, 1983.

REEDER, Douglas Bell. "Symbolism and textual painting in four vocal works by George Crumb." D.M.A. thesis. Columbus, OH: Ohio State University, 1997.

ROMEO, James Joseph. "Vocal Parts in the Music of George Crumb." Masters thesis. Michigan State University, 1978.

ROUSE, Christopher. "The Music of George Crumb: Stylistic Metamorphosis as Reflected in the Lorca Cycle." D.M.A. Composition. Cornell University, 1977.

SAMS, Carol Lee. "Solo Vocal Writing in Selected Works of Berio, Crumb and Rochberg." D.M.A. dissertation. University of Washington, 1975.

SCHULTZ, Donna. "Set Theory and its Application to Compositions by Five 20th Century Composers." Ph.D. dissertation. Michigan State University, 1979. [annotation]

SHUFFETT, Robert. "The Music, 1971-75, of George Crumb: A Style Analysis." D.M.A. dissertation. Peabody Institute, 1979. [annotation]

SIMONI, Mary. "The Computer Analysis of Atonal Music: An Application Program Using Set Theory." Doctoral dissertation. Michigan State University, 1984.

SUTTON, Daniel. "The musical language of George Crumb's Makrokosmos volume II, and its relationship to the style of Claude Debussy." D.M.A. thesis. Manhattan School of Music, 1993.

SYNNESTVEDT, Peter N. "A Study of Three Contemporary American Works for Orchestra (Bassett, Crumb, and Schuller)." D.M.A. dissertation. University of Cincinnati, 1987.

SZUTOR, Kristina F. "Musical coherence and poetic meaning in George Crumb's Apparition." D.M.A. thesis. University of British Columbia, 1994.

TAKENOUCHI, Aleksei. "Numbers and Proportions in George Crumb's Solo Piano Compositions." D.M.A. dissertation. Northwestern University, 1987. [annotation]

TIMM, Kenneth N. "A Stylistic Analysis of George Crumb's Vox Balaenae." Doctoral dissertation. Northwestern University, 1977. [annotation]

WELLS, Jessica. "Crumb and Lorca: Sonic Interpretation of the 'Duende' - a detailed analysis of the George Crumb work Ancient Voices of Children, in relation to the setting of Federico Garcia Lorca's poetry." Honors thesis, 1996. [author's home page]

WHITE, John W. "Derivative elements from non-Western musical cultures utilized in the music of George Crumb." M.M. thesis. Ithaca College, 1983.

YOSHIDA, Kikuko. "A Study of George Crumb: Music Based on Poetic Images." Masters thesis. Tokyo Geijutsu Daigaku (Tokyo National University of Fine Arts and Music), 1985.