BARRETT, Nick. "Crumb's Sound-World." The Listener, November 2, 1978.

BASS, Richard. "Sets, scales and symmetries: the pitch structural basis of George Crumb's Makrokosmos II." Music Theory Spectrum, 13(1991):1-20 n1. [annotations]

BASS, Richard. "Models of Octatonic and Whole-tone Interaction: George Crumb and his Predecessors." Journal of Music Theory 38 (1994). [1st annotations] [3rd annotation]

BENDER, William. "Star-Child in Review." Time, May 24(1979):36.

BORWICK, Doug. "The instrumental theater piece: an introduction to form and analysis." Woodwind World - Brass & Percussion. 15(1976):35-6 n4.

BRUNS, Steven M. "In stile Mahleriano: Quotation and Allusion in the Music of George Crumb." American Music Research Center Journal, 3(1993):9-39.

BURGE, David. "Celestial Mechanics (Makrokosmos IV): cosmic dances for amplified piano, 4 hands." Notes, 45(1989):859-60 n4.

BURGE, David. "About pianists." Clavier, 26(September 1987):50-1 n7. [annotation]

BURGE, David. "George Crumb's Five Pieces." Contemporary Keyboard, (July 1983):66. [annotation]

CARBON, John. "Astrological, Numerological, and Mythical Symbolism in George Crumb's Makrokosmos, Vol. I." 20th Century Music, (1995) June & September.

CARBON, John. "Astrological, Numerological, and Mythical Symbolism in George Crumb's Makrokosmos, Vol. II." 20th Century Music, (1996):7-10, April.

CARBON, John. "Astrological symbolic order in George Crumb's Makrokosmos." Sonus, 10(1990):65-80 n2.

CERF, S. "[Dream Sequence (Images II)] Bowdoin's Contemporary Music Festival." High Fidelity Musical America, 27(April 1977):28-29.

CHATMAN, Stephen. "George Crumb's Madrigals Book III: a linear analysis." In Theory Only, 1(December-January 1976-77):55-79.

DEVINEY, Chris. "Focus on performance: Interview with George Crumb." Percussive Notes, 28(1990):61-4 n4.

DOBAY, Thomas R. de. "The Evolution of Harmonic Style in the Lorca Works of Crumb." Journal of Music Theory, 28(1984):89-111 n1.

DUFALLO, Richard. "Interview" in Trackings, 1990.

FENNELLY, B. "George Crumb: 'Ancient Voices of Children,'" Notes, 24(1972-3), p. 560.

FRANK, Andrew. "George Crumb: Songs, Drones, and Refrains of Death." Notes, 33(1976-77), pp. 694-96.

GAMER, C. "Current Chronicle: Colorado Springs, Colorado," Musical Quarterly, 59(1973), p. 462.

GIFFIN, Glenn. "What composer Crumb did in the '60s is now 'normal'." Denver Post, 9 October 1992, section E, p. 5.

GREIMES, Ev. "Conversations with American composers: George Crumb." Music Clubs Magazine, 66(1986):37-9.

HAMILTON, David. "Three Composers of Today." Musical Newsletter, i/1(1971), p. 16.

HENAHAN, Donald. "Current Chronicle: Chicago - George Crumb Echoes of Time and the River." Musical Quarterly, 54(1968), p. 83.

HENAHAN, Donald. "Record review of Eleven Echoes of Autumn." Musical Quarterly, 55(1969), p. 280.

LEE, Douglas A. "Penderecki and Crumb at Wichita State." Musical Quarterly, 61(1975):584-8 n4.

LEWIS, Robert Hall. "George Crumb: Night Music I." Perspectives of New Music 3, no. 2 (1965):13.

LUSK, Larry. "George Crumb: 'Makrokosmos Vol. I.'" Notes, 31(1974-75), p. 157.

MOEVS, Robert. "George Crumb: Music for a Summer Evening (Makrokosmos III)." Musical Quarterly 62(1976):293.

NORRIS, Renee Lapp. "George Crumb's Five Pieces for Piano." Clavier, 37(8):22-26. October 1998.

PIENCIKOWSKI, Robert T. "Paris." Schweizerische Musikzeitung, 118(1978):37 n1.

RIIS, Thomas L. "A conversation with George Crumb." American Music Research Center Journal, 3(1993):40-49.

SHUFFETT, Robert V. "Interviews with George Crumb." Composer Magazine, 10-11(1980):29-42.

SMITH, P.J. & SAYLOR, B. "Crumb's Makrokosmos II - new vision or dead end?" High Fidelity Musical America, 25(February 1975):36-37.

STEINITZ, Richard. "The Music of George Crumb." Contact, 12 (1975):3.

STEINITZ, Richard. "George Crumb." Musical Times, 119(October 1978):844-5. [annotation]

THOMAS, Jennifer. "The Use of Color in Three Chamber Works of the 20th Century." Indiana Theory Review, 4:3(1981):22-40. [annotation]

TOMARO, Robert. "Contemporary Compositional Techniques for the Electric Guitar in United States Concert Music." Journal of New Music Research, 4(1994). {Songs, Drones, and Refrains of Death} [abstract]

TROTTER, H. "June in Buffalo: second annual contemporary festival features Xenakis, Crumb, Trotter." High Fidelity, 26(October 1976):26-27.